Posts Tagged ‘Advertising’

Should photographers give up Facebook pages? : Podcast 193

Monday, February 20th, 2012

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33 ways photographers can use QR codes

Thursday, February 3rd, 2011

What are QR codes?

A Quick Response or QR Code is a two-dimensional bar code that can contain multiple types of information that can be read by a bar code reader or, more importantly, your smart phone.

Photographers can use this technology to share portfolios, blogs, or to direct prospects to specific information. Below is a list of website options where QR codes can be created for Web display or printed material.

1. QR stuff

2. qrcode.kaywa.com

3. Qurify

4. appspot

Imagine you have one of your photographs hanging at the local coffee shop.  Suppose a customer wants to purchase the image, but has no idea what to do?  If you had a QR code on your image, the customer could use her smart phone to begin the process.

First, the smart phone application scans the code, which leads directly to your gallery. Next, the interested customer can learn more about you and ultimately have the opportunity to buy your image.

QR codes were invented by a subsidiary of Toyota in the 1990s and are very popular in Asia.  They’re not new in the United States, either.  But it wasn’t until the advent of  smart phone applications that the general public took notice.

Now, they are gaining popularity in advertising.  Look around; you’ll see them on billboards, magazine ads and packaging.

How can a photographer use QR codes to her benefit? Let us count the ways.

1. Create a podcast containing a QR code directed to more information about the photographer.

2. Create a code that connects to a LinkedIn profile.

3. Link a QR code to a studio map using services such as Google maps or Bing.

4. Attach a code  to the bottom of your e-mails to create an expanded e-mail signature.

5.  Attach an iTunes link to an audio message within a QR code.

6. Create a link to a photographer’s introduction video on YouTube.

7. Connect a QR code to a downloadable vCard.

8. Display a welcome message for all who scan the code.

9. Use the QR code to share a downloadable coupon.

10. Link the code to a custom Photoshelter, Smugmug or Pictage gallery.

11. Print QR codes on hats and T-shirts for promotion.

12. Place a code on the back of business cards for more information about the business.

13. Create a Guerilla marketing campaign based on QR codes.

14. Create website landing pages to track different uses of the codes.

15. Link a QR code to the company Facebook business page.

16. Link a code to a photo of the day.

17. Connect a code to a full calendar of upcoming events.

18. Link the QR code to a photographer’s interactive availability schedule.

19. Use codes for organizing. (A QR code could contain a list of everything inside a box or drawer).

20. A code displayed next to a photograph could share details about the image on display (location, model, technique etc.)

21.  Use QR codes to link to an e-books and white papers.

22. Direct a code to link to an e-mail sign-up page.

23. Post a QR code on a storefront studio window containing updated information about hours of operation and special events.

24. Use a link shortener such as su.pr to track a promotions using multiple QR codes.

25. Create a QR code provided by the Google link shortener tool http://goo.gl for tracking.

26. Use a QR code provided by your Google places account for promotion.

27. Connect a code to instructions for payment through an online service such as Paypal.

28. Link a code to a special Twitter feed for updated information about the photography business.

29. Create a QR code that links to a sign-up form for your next photography workshop.

30. Creatively place a QR code within your logo.

31. Create a puzzle game with QR codes.  The first person to find and scan all the codes will have the answer and win a prize.

32. Link a code to your smart phone application for easy download.

33. Place QR codes in newspaper and magazine display advertisements, which will link to a photographer’s full portfolio.

What would you add?

Your imagination is the only limit to how you use these QR codes. The best rule is to make sure whatever you offer is worthy of the time of the person scanning the code.

Rosh

The day that changed publishing

Sunday, April 4th, 2010

Yesterday, Apple released to the world a computer tablet called the  iPad.

Fifteen years ago, publishers had a great opportunity to migrate to the World Wide Web. They blew it.

Publishers dismissed the value of the Web and set their prices accordingly. It was common practice for publishers to entice advertisers with publishing contracts in the print medium and offer Web placement at a low-cost or free.

Although traditional publishers didn’t take the Internet seriously, consumers did. As a result, traditional publishing was hit hard.

Today, publishers have a new opportunity. Over the years, they have streamlined and cut their product quality in the name of keeping their 30 percent profit or to stay afloat.  Rather than cut expenses, publishers can invest in delivering quality content. Tablet users want deep and exciting multi-media presentations. Today, if they choose to do so, publishers can once again become competitive with quality writing, imagery and design. All these things disappeared in the last 10 years while publishing operated in survival mode.

Why is this different?

The iPad is not a new, easier-to-use computer. It’s just easy.

The World Wide Web was a great innovation. Unfortunately there were some barriers. In order to get to the Web, you had to have access to a computer and the appropriate software. Windows alone was reason enough for some people — especially older folks — to avoid touching a computer.

Early Web pages, especially in the first years, were not well-designed. Internet navigational skills were not intuitive for most people. Over time, technological advances and design have improved computers and the Internet. Using a computer has become easier, but not easy.

The iPad is easy. All you do is push a button to begin. The tablets are icon-based, thereby providing a more intuitive experience. There is no barrier to the Internet. Simply press the browser icon to get in. Want to read a book, listen to music, watch a movie, or activate a cool application? Again, just push a button.  iPads open the door for those  who have not appreciated the full computer and online experience.

Does this functionality hold value to people? Can you say iPhone?

Sales of  iPhones and other touch-based smart phones prove there is interest in this platform and functionality.  Many of our computer activities have already migrated to our phones. Why? Smart phones are portable and accessible.  Our desktop computers are certainly not easy to carry. Laptops are convenient, but a phone fits in a pocket. The iPad doesn’t fit in a pocket, but it is slim, portable and extremely accessible.

User experiences with the iPad and tablets in general will determine their success. The iPad is better than advertised, based on reports I’ve read. This is good news.

If a $500 iPad has better portability than a standard laptop and all the functionality of the newest smart phone, why wouldn’t it be a hit?

Publishers appear to be thinking the same thing. This is their second chance. This time, they don’t want to miss the boat. Some have so much confidence in the new direction, they are raising their prices.  I believe people will pay for great content for their tablets, however, application prices still have to be reasonable.

The process of purchasing products and services on the Web is a barrier for some people. It can be complex and confusing.  If all purchases, no matter the price, can be made with the click of a button, they are no longer a hassle. The fewer times people have to type their credit card numbers onto a Web site, the less anxiety they will have about online purchases. This easy system will provide a subscription revenue stream for the most inventive and creative publishers.

Advertising will continue to have its place. Although visitor tracking is available on the Web, the perceived value of those ads is still low. The tablet platform is a clean slate. If a publisher can show advertisers that they active subscribers, in this new electronic media – a new high value opportunity for real advertising revenue is now available.

Advertisements in paid publications have higher value than the ones in free publications because the perception is people who pay for something pay attention to it.  Publishers have the analytics to prove it, too.

Plus, interactive advertising will offer increased engagement.

What about photographers?

Increased publishing opportunities will raise demand for high-quality imagery. Average point-and-shoot pictures will not be acceptable outside the community-related sections. Quality design and slick presentations are not served well by  poor or average media.

The oversupply of photography will not diminish. In order to have viable careers, most photographers will need multiple talents, including audio and video skills, in order to supply quality content. Likewise, video people will have to provide  high-quality stills to go with their assignments. Animation and 3-D presentations will continue to be in demand.

These opportunities are not for media publishing alone. They will include corporate publishing and marketing as well. Applications will be developed for business of all sizes. Companies will demand more material for their content-hungry consumers. These consumers  will not be impressed by average or boring presentations on the easy-to-use tablets.

The future

The iPad is not the final chapter in the story of media. It’s just the next step. Fifteen years ago a Web site was a new thing, viewed as a gimmick and not taken seriously by many businesses. Today, companies are not in business if they don’t have a Web site. In the coming years, a company will not be in business if it doesn’t have an application enabling the world to connect to it instantly.

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Who is stealing your work?

Tuesday, March 30th, 2010

You might be surprised to learn that your online writing, photography and videos are being used by someone else on the Internet in an attempt to make money. These content thieves operate on the theory that using previously published material along with Google ads will lead to piles of cash.

Some do make money using this method; most do not.  One reason this approach doesn’t work well is that Google recognizes and redirects readers to the original content source .

I checked copyscape.com the other day to see if anyone was using material from my photography Web sites to promote their sites.

Turns out, people are swiping my content. I was a little peeved at first. Then I wondered: did I encourage content theft? On my roshsillars.com site, I write about the importance of photography in marketing.  I can recall encouraging others on one of my podcasts to use my ideas to promote the importance of good photography in marketing. Whether I encouraged people use my concepts, it’s not a good idea to use other peoples wording exactly.  The reality is some people just copied my site.

There is justice. If people swipe your content word for word, chances are they will gain very little search engine traffic. In most cases if visitors from the other site use the swiped information they saw from the imposter Site in a search engine it will benefit you. Chances are they will end up directed to your site not the imposter site.  In other words, they are advertising for you.

If I’m concerned about an image or video being taken, I don’t post it. Or I’ll make sure I have a good watermark on it.  If nothing else, I know I will get some free advertising out of the thief.

It’s a touchy subject, what are your thoughts?

Below are some links to helpful tools.

http://www.copyscape.com : Search the Web to see who might be using your writing.

http://www.tineye.com : This is a reverse search engine that tracks who is using your photographs.

http://www.copyright.gov : Use this site to copyright your work.

http://www.google.com/alerts : This helps you keep track of key words.

http://copyrightspot.com : Another site to detect plagiarism of your work.

http://www.doccop.com Here is another plagiarism detector. I’ve not tested it.

It’s a touchy subject, what are your thoughts?

Rosh

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Enough with average!

Friday, February 19th, 2010

When I started my photography career, you couldn’t tell my advertising brand from the bankers down the street. I was conservative and full of corporate speak.  I even wore a suit.

It is true that wearing a suit helped me stand out;  people remembered me as the photographer in a suit. It was good for corporate clients. My photo friends generally laughed at me, since being a photographer means you don’t have to wear a suit.

Nonetheless, I made my mark.  The suit worked.  The corporate speak and the good photography helped me build a profitable business. Today, the suit still might work, but the photography must be incredible and the corporate speak will not get anyone’s attention.

Photographers today must go beyond producing work that is merely in focus, well-composed and nicely-lighted. Photography and portfolios must be extraordinary.  A photographer must take risks and show off the results.

Throw out the boring corporate speak.

Letting everyone know what great service you offer is a waste of time.  A service reputation is earned and only can be shared by satisfied customers. If you have to promote yourself as a people person, you are not one.  No one cares how long you’ve been in business.  If you are young, make sure it doesn’t look like you have only been in business for three years. If you are a veteran, your portfolio can’t say you’ve been in the business for 20 years.

Ultimately, photo buyers care about the photographer’s ability to make them look good.  They want to look good to their clients.  Once you earn trust and build a quality relationship, they will keep them coming back.

Playing it safe is a big risk. Not taking chances or making a loud statement will deny you a profitable career in photography.

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