Posts Tagged ‘Advertising’

Adwords for photographers

Wednesday, February 17th, 2010

First, I want to thank @picseshu for encouraging me to write more about AdWords.

I’ve spent some time lately dismissing AdWords due to my frustration with Google’s bidding system and click fraud. All that aside, AdWords still offers photographers many opportunities.

There is a lot to AdWords. Now that I’m running more AdWords campaigns for Synectics Media clients, I’m taking another serious look at how the advertising medium can benefit photographers. I can’t share everything in one post, but I will make it a point to add the topic to the rotation of subjects I cover on this blog and podcast.

What is AdWords?

It is a pay-per-click system offered by Google and other search engines. You can create text-based advertisements for search engine results relevant to your Web site.

Sometimes search engine optimization (SEO) doesn’t offer the search placement results photographers require. Google AdWords allows photographers to buy their way to the front page of Google, related Web sites or Google partner search engines.

Many photographers have given up on AdWords. This is especially the case after Google changed its system of bidding on ads. This is good news because now there is less competition driving up bid prices.

Is AdWords right for you?

If you wish to sell cheap stock photography or low-cost head shots, it may not work. You have to test the system to see what works for you. The good news is you can test for a fraction of the cost of other ad models with better tracking information. This will allow you to test, change ads, and figure out if your plan will work before wasting an entire advertising budget.

Fortunately, photographers have higher price points and can risk a larger amount of money and still receive a quality return on investment. If done well, AdWords should be profitable (with tests and tweaking) within a month depending on the target, skill and competition.

The first thing you need to understand about AdWords is that it works like search engine optimization. Relevant words in the ads need to match the landing page, which is the page the ads are directed toward. Unfortunately, most photographers link their front page to AdWords campaigns. In many cases, photography Web sites don’t even have words on the front page. This lowers their Google ad score and ultimately costs money and quality placement.

Google wants its ads to work. If an ad score is too low based on Google’s criteria, a photographer can’t even buy his way onto the front page. This is why a good customized HTML landing page is recommended. Photographers need to create landing pages related to the search terms they are trying to attract.

If a photographer is bidding on the words “food photographer,” the ad should lead to a page with good information about her food photography. The ads should contain images to keep people on the page, quality written information about the service, and a method of contact. A form requesting more information is often advised to support the collection of prospects’ e-mails for future campaigns.

Be careful of the automatic tools Google offers. Many are valuable. Others, unfortunately,  optimize best for Google’s profits rather than the advertiser’s success. An example of this is auto bidding. Use Google tools and make your own judgments on how much to bid on keywords.

Use tools such as Google’s  Insight for Search and Keyword Tools to help find the best high-traffic related keywords. Start off with two to four unique ads using the keywords related to the search words bid on.

Consider focusing on local advertising placement. It seems like the more localized and geographically focused it is, the less click fraud is involved. Note: Click fraud has been estimated to be as high as 33 percent  for some expensive key words. Another way to fight against click fraud is to avoid content advertisement placements until you understand the system better. These are ads found on Web sites. Fortunately, Google allows advertisers to manage their ad placements. This can be very beneficial if you know or suspect a local high-traffic Web site may attract photography buyers.

To start a campaign, log into AdWords and set up an account. Decide on your best keywords. Remember the importance of search engine optimization. Use custom landing pages or subdomains connected to the main site and test, test, test everything until you find the winning combination.

Rosh

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Dear publishers,

Thursday, February 4th, 2010

The day has arrived.  You have the opportunity to build a viable industry again.

General world news and published opinion have become commodities. Anyone can publish to the Web. The traditional standard of presentation — print — is dying.

Stock photography is a commodity now that everyone has a digital camera to create good images and our traditional form of presentation — film — has died.

Both photography and publishing  have suffered similar declines.  We are not alone. Many industries have fallen victim to new technology.

We can both benefit from a new direction in publishing. The revolution and opportunity are here  if you take it seriously.

First, I have a question: Why are 50,000 eyeballs in print worth more than 80,000 eyeballs online?  Chances are you are charging for the printed product because it costs more. Are the print ads more effective for your advertisers?  Maybe the ads look better, but it’s hard to cultivate good data on the quality of success other than general assumptions based on sales.

Online ads are cheap in comparison and the data is much stronger. Advertisements and their locations can be adjusted quickly based on the success of published content.

Soon, products such as the Apple iPad will be available to consumers. These new products are innovative, interactive entertainment and information centers. Delivery systems similar to iTunes are being developed for publishers that will allow people to subscribe to your publication.

Will they subscribe?

If you continue down the path of  cutting writers, photographers and designers to make margins, you are doomed. If you continue the practice of  slapping anything between the ads to keep short-term investors’ profits in line, you are doomed.

If a photographer wishes to stay in business today, he has to invest more time, knowledge and money into the products and services he produces.  Photographers need more than the right equipment. Photographers must be highly creative to survive. So do you.

Once the new technology and infrastructure are in place, you must wow your consumer with incredible and unique information.  The layout and design of your publications must be spectacular. The writing needs to be top-notch. The images have to be amazing.

People will not continue to buy average on a monthly or annual basis.  This opportunity is available to local and international publishers. Now is the time to plan. Let the new horse race begin. Make it about creativity and innovation — not about how much can you cut to survive another year. Get ahead of the curve. Invest and prepare to make a profit again.

Rosh

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The modern photographer

Friday, January 22nd, 2010

The modern photographer strives to create new, exciting images.

She uses a digital single lens reflex camera with HD quality video capabilities.  Although good equipment is important, her focus is on lighting and expanding her Adobe Photoshop skills.  She understands that creative vision is what photo buyers are seeking in today’s market. She knows that good mechanical photography technicians are not the photographers hired for major assignments; they shoot volume for micro-stock clients.

The modern photographer is rarely concerned about print distribution. Traditional media no longer has the budget. Print is rarely used by corporate clients. When pricing a commercial job, the first questions she asks are: “How many unique monthly visitors does your Web site receive?” and “How large is your e-mail list?”

All photography usage is now international. Determining the value of a photograph is still based on how many people likely will view the image.

She prices her photography per image. Quality Web sites need a lot more imagery. If she can make more money by doing a great job and selling more images, she doesn’t want to get stuck with a day rate.

Her clients appreciate knowing what they are receiving for their money.  They don’t have to watch the clock or feel she is wasting their time to meet day-rate requirements.  They see the value in each image they select for purchase.

Every quote comes with the offer of video options and editing services.  She knows that every company must tell a story and that social media demands new content. The modern photographer keeps her  clients well-stocked with fresh media.

Big projects often need collaboration. Her clients prefer to use Google Wave to keep all their notes and communications in one place.  Sometimes they have live chats. Wave allows for real-time communication and instant translation necessary for her growing number of international clients.

During every major shoot she takes advantage of her camera’s video capabilities by capturing behind-the- scenes footage and asking clients to offer testimonials.  People love to see how she works and what clients think of her work before contacting her for a potential assignment.

Every day she shares some of her best photography and video (with client blessings) to her social media community.   Most of the people following her love her style and subject matter. They have been well-trained by her on how to find leads and refer her when opportunities become available.

After each assignment she uploads images to her client-dedicated photo galleries. Often the images are proofs for selection or approval before beginning post production.  Other times the final images are available for immediate purchase and download.  Extra images and outtakes may be placed in her personal stock gallery for photo buyers to search.

The modern photographer understands that links are priceless.  Photo credits are good, but in her contract she asks clients to place a direct link under her photos or in another prominent place that will lead viewers to her Web site. She regularly checks Tineye to make sure her most popular images are not being used improperly and that new Creative Commons users are properly linking to her Web site as requested in the use agreement.

Most of her billing is automated.  Money is transferred into her bank account as images are downloaded. Her online accounting system  is encrypted within the Cloud.

In addition, she enjoys displaying some of her favorite artistic images at the local coffee shop.  Patrons use their smart phones to read the bar code below her prints to buy copies of the image hanging on the wall. The process is quick and seamless. Once notified of the sale, she sends a thank you note.

What is the best social media Web site?

Wednesday, December 2nd, 2009

What is the best social media site on the Internet? It’s simple: the one where your target market hangs out.

Your target market isn’t as narrowly defined as those to whom you want to sell something. Expand it to include those with whom you’d like to network, develop a friendship, or even date.

For most business people, it is important to think clearly about whom you’re trying to attract.  Are you looking for people to sell to directly? If this is the case, then direct marketing or advertising might be a better option than social media.

When it comes to social networking, think about the people who have traditionally offered the best referrals.  For example, wedding planners may be a good referral source for wedding photographers. Accountants can be an excellent source of referrals for financial planners.

Sometimes a business owner can be a little more direct. Commercial photographers might consider targeting designers. But, no matter the target, the key is to be a resource who gives and engages as much as possible and avoids acting like a salesperson.

So, if you are trying to connect with teens or musicians, then the best social media Web site on the Internet is MySpace. Twitter is the best if you enjoy sharing information, original thoughts and links to resources that your target market desires. If you are looking for professionals just a few soft introductions away from you, then maybe the best place is LinkedIn. Your target market may be on a forum.  There are thousands of forums on the Internet where people socialize, talk shop and develop professional networks.

Maybe the best site with enough functionality and valuable information that your target needs or desires doesn’t exist yet.  If this is the case, maybe your next step is to create the best social media site on the Internet.

Rosh

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Some people don’t get it.

Saturday, November 21st, 2009

Metro Detroit has a new daily newspaper:  the Detroit Daily Press, which is scheduled to be online Nov. 23.  Well not online, they don’t have a Web site yet. This new publication will be available in print for daily delivery to Metro Detroit newspaper readers. You’ve got to be kidding me.

I love newspapers. I spent almost 20 years of my life photographing for print media.  I wish there was hope for the survival of the industry.

The day I presented my New Media Secrets talk to the Denver Press Club last winter,  the Rocky Mountain News shut down.  I knew about this before many others. Why? Credit the immediacy of social media.  News was coming directly from the Rocky Mountain newsroom via tweets and  Facebook status updates from employees who’d just learned it was their last day on the job.

That was the day I declared myself free of my dependence on old media for my income.  I’ve not solicited any of the local media for work since.  It has been a rough transition, but my career is better off for it.

I know a number of local writers jumping on board this new publishing venture. I sincerely wish them the best.  But, all I’ve heard through the grapevine are old attitudes about the need for print media.  The investors are outsourcing many of the services and setting up the paper like they would have in the 1970s. I’ve not heard any concern for photography, video, Internet or new media concepts.

In other words, nothing new is being created and there’s  little commitment to the growth and innovation of the industry.

I understand the owners have committed two months’ worth of capital to support the project. Even in a good economy, two months of capital is not enough to support a start-up publication. In a declining media market, with few advertising dollars available in the depressed market we have here in Detroit,  it appears destined for failure.

According to the recent Razorfish digital brand experience report, 84 percent of consumers get their current information and news online.

This upward trend will continue. The two traditional major daily papers in metro Detroit now only offer home delivery three times a week, which is the impetus for the launch of this new daily paper.  This doesn’t even take into consideration all the other newspapers and magazines that have closed this past year in Michigan.

Another concern about the health of this endeavor is the lack of buzz, marketing or community-building strategies. The only reason I knew about the new newspaper is because friends of mine where applying for positions with cheap rates and no benefits.  They have only offered a few traditional old school press releases.

Their Web presence seems to be a secondary concern. Their target market goal is the more than 100,000 baby boomers missing their traditional daily paper. Are baby boomers really missing their newspaper? While boomers don’t seem to be embracing the online editions, returning to old-school methods doesn’t seem the answer.

I hear the Daily Press now has a Facebook page. Do they know what to do with it? Do they have a plan? Are these extremely misguided people wasting a lot of money?

Rosh

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