Posts Tagged ‘digital camera’

The new street photography

Thursday, November 12th, 2009

Traditionally, street photography has been a documentary style of photography that uses 35mm or compact cameras. The goal is to capture candid images of people on city streets or in public places.

Many street photographers pound the pavement each day shooting from the hip to capture unique moments in time. Sometimes they don’t even bother looking through the view finder.

Technology drives street photography — first with the invention of 35mm and smaller range-finder cameras.

Technology has spawned a new generation: the phone photographer.  The quality of camera phones is beginning to rival that of the earliest practical digital cameras.

Street photography doesn’t require multiple types of lenses and an external flash. The names of the game are simplicity and stealth.  Plus, camera phones are easy to use and conceal, which is perfect for documentary-style photography.

One major advantage camera phones have over standard cameras is the ability to send images to the Web.

Once Web sites such as Posterous, WordPress, Flickr and Tumblr made it easy for people to post via e-mail and upload through phone applications, a new world of possibilities opened.  These two technologies opened the door to the camera phone blogger with the ability instantly upload their compositions.

Phone photographers are gaining in popularity and credibility.

Well-known commercial photographer Chase Jarvis was an early champion of the camera phone photographer. He recently created an iPhone application, published a book and created an online community called The Best Camera .

Below is a list of camera phone blogs and examples:

iPhonephoto.org

justwhatisee.com

hsugene.posterous.com

iPhone-shots.blogspot.com

Flickr  street photography

iPhoneography by sionfullana

photo by

photo by sionfullana

Flickr pool of photos taken with the iPhone Contains more than 9,000 members and 100,000 photographs.

The iPhone and the Canon Rebel are in a tight race this year for most popular camera used on Flickr and other photo sharing Web sites.  As phone cameras gain quality and versatility, the art of camera phone street photography will continue to gain in popularity.

Street photography will not have the same mystique as it did in the early days of Cartier-Bresson, Walker Evans and Robert Frank because we have grown accustomed to this method.

Society continues to change and evolve and the new style and generation of photographer is here to offer its perspective.  These new photographers will capture the everyday moments of life, in greater numbers, for future generations to reflect on, laugh about and remember their contemporaries’ intimate pasts.

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Twelve unique cameras

Thursday, October 8th, 2009

Cameras are fun and exciting again.

Now that digital cameras are commonplace (offering more megapixels than most photographers need), video is becoming standard and ISOs are going through the roof — it’s time have fun with new features, design and style in our cameras.

There are more tools than ever for the new media photographer to enjoy. Listed below are some new cameras released in 2009 to get your creative juices flowing.

Fujicopy

Fuji released a 3D camera on Oct. 1 in the United States. I discussed it on the New Media Photographer podcast last Monday.  It’s a good start toward the future of photography.  Unfortunately, you can only view the images on the back of the camera or with special viewer.  Prints can be made — but they have to be done in  Japan.

coolpix

A big thank you to our New Media Photographer friend, Lucian.  He pointed out the Nikon Coolpix S1000PJ, which is a 12.1 megapixel camera with a build-in projector to display images.

Samsung is hot and full of innovation with their new camera lines, so I’ll mention three of them:

Samsung has  heard and answered the call of the modern age and the social media community with the release of the dual view camera. This camera allows people to see themselves on the front of the camera while taking a self portrait.
Samsung HZ25W (via DPreview) with 24x optical zoom lens.  This is good camera for parents taking photos on the sidelines.  Wildlife enthusiasts will also find the long zoom lens useful.

Samsung also recently released its camera and a phone with a 12 megapixel camera with shutter release, 3x optical zoom and camera controls.

The Sony Cyber-shot DSC-G3 digital still camera has Wi-Fi and Web browser built into the camera for easy photo sharing.

Polaroid is still offering instant photos with the 5 mega pixel Polariod PoGo.  This digital camera spits out 2×3 prints in Polaroid style.

redpentaxnmp

If you have been looking for a red SLR camera, you are in luck. Pentax is offering the reasonably priced and stylish K-x in red, white and navy blue.

Olympus TOUGH 8000 one of a number of durable cameras from Olympus.  They claim it is shock proof from over 6 feet, waterproof to the depth of 33 feet,  freeze proof to 14 degrees F  and offers image stabilization.  This camera is perfect for the extreme athlete or a clumsy member of your family.

minoxnmpMinox DCC 5.0 The White Edition is a tiny, retro-styled nicely styled range-finder digital camera.

The Optio W80 is the Pentax version of the clumsy person’s camera.  It’s designed for dropping, submerging and freezing. They add a little style with color options such as red, blue and gray.  If you are looking for purple, you will have to consider the waterproof  Optio WS80.

Note many of the major brands are offering durable cameras, the above cameras were the first to catch my attention.

Sony Webbie HD camera is Sony’s compact video and still camera.  It’s designed for fun and ease of use.  This camera also comes in three colors: orange, silver and purple.

e-paper is the next revolution

Sunday, September 6th, 2009

In the early 1990s my No. 1 marketing goal was to offer a short-run portfolio card to my prospects and clients. I wanted to be able to scan my photographs into the computer and have my local photography lab or desktop printer cheaply create a card to hand out.

It was a long process with years of baby steps.  My first real attempts were around 1994.  I scanned my film images into the computer at work and designed my card in Adobe Photoshop.  (Yes, they had Photoshop back then.)  I would then take the floppy disk to a local lab where they had a $20,000 high-definition CRT screen. There they would capture the design again on film.  We called the screen high-definition, but it is nothing like the today’s HD screens sold for a few hundred dollars.

The negatives from the screen image cost about $5 to $10 each.  I used these negatives to print black and white cards in my dark room.  I shared them with some clients and mailed a few as postcards to selected prospects.

As digital cameras grew in popularity, the advances in technology helped my cause.  Not until around 2001 did the process become practical enough to start using the cards on a regular basis.  I credit my 4×6 portfolio cards for playing a major role in the growth of my career.

Today I have a new vision: a portfolio card created on e-paper.  I desperately want to create unique video, promotion and portfolio presentations on the plastic paper used to create the Kindle and other e-book readers.

I have shared some of the advances of e-paper with readers during the last year. It’s getting exciting: the price and practicality barrier of e-paper is starting to come down.  In October, Esquire magazine will have a simple e-paper cover. The Sept. 18 edition of Entertainment Weekly will include a video advertisement for CBS in the magazine.  The future is beginning this fall.  Are you prepared?

It has been speculated that within the next five years or so, e-paper will be cheap enough to give away.  It will take time for it to be a customizable platform via your home computer or handheld computer. When e-paper is both easy to customize and affordable,  you will have a multi-media presentation to give away straight from your camera bag.

I’ve never been a fan of business card CDs. Yes, they can be entertaining and provide an excellent introduction to a photographer’s work. Unfortunately, they require too much work on the part of the recipient. They are not effective.

Meanwhile, what does e-paper mean for the professional photographer?  Designers, animators and photographers who get in early and establish themselves as pioneers and experts will find it to be a career-enhancing move.

E-paper will require quality imagery.  It will demand the ability to capture people’s attention and impress.  This will require the storytelling skills of a photojournalist and the excitement of visionary commercial photography and video.  Creative image makers will be in demand again.  A new set of skills will be required.

A revolution is about to begin. Remember when we celebrated the expansion of RAM storage capacity, faster processor speed, and lower computer prices?  Remember how we begged for more mega-pixels, memory buffers and full frame in our digital cameras? We now have something new to track every eighteen months.

Over the coming years — maybe only months — it will be more commonplace to see animated editorial pages and advertisements. E-paper will become cheaper and “print” media will become more interactive.  Street flyers will have interactive Google maps, videos and downloadable information.  Business cards will actually offer sales pitches and updated product information.

Most importantly, I will have my HD interchangeable lens video/still camera hanging off my shoulder and a pocketful of 4×6 interactive portfolio cards waiting for my next prospect.

Rosh

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Camera Phone Predator Alert Act

Tuesday, January 27th, 2009

Recently, Congress proposed the Camera Phone Predator Alert Act (H.R. 414).  The idea behind it is to protect Americans from unscrupulous people with camera phones.  Technology has made it easier for cell phone users to take indecent images and steal private information without the subject knowing. To help curb this problem, the proposed legislation would require phones containing a digital camera to make a sound when a photograph is taken.

    (a) Requirement- Beginning 1 year after the date of enactment of this Act, any mobile phone containing a digital camera that is manufactured for sale in the United States shall sound a tone or other sound audible within a reasonable radius of the phone whenever a photograph is taken with the camera in such phone. A mobile phone manufactured after such date shall not be equipped with a means of disabling or silencing such tone or sound.
    (b) Enforcement by Consumer Product Safety Commission- The requirement in subsection (a) shall be treated as a consumer product safety standard promulgated by the Consumer Product Safety Commission under section 7 of the Consumer Product Safety Act (15 U.S.C. 2056). A violation of subsection (a) shall be enforced by the Commission under section 19 of such Act (15 U.S.C. 2068).

Identity theft is a real issue and needs to be addressed.  Installing noise makers on camera phones will not solve the problem. I don’t see a problem with this as a partial solution.  But the law will not prevent people from taking pictures.

Laws  restricting photography are always my biggest concern. This bill only applies to cell phones.   Is this a dumb bill? Would it be effective? Or, is it just a waste of  government time and our money?

What is your opinion?

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The Rise of the New Media Photographer: Part One

Friday, August 8th, 2008

The new media photographer has to think differently.   The photography business is not the same as it was 10 years ago.  What happened?

Digital technology happened.

These changes are not unique to the photographer.   If you have posted an ad on craigslist, designed a brochure or ad on your computer, used a cheap Internet postcard printing service, published or purchased a book online, printed a family photo from your home printer, read the news on the Internet, created a tune in Garage band for a DVD,  edited a short movie or slide show using Shareware, written your own Web site copy or downloaded music, then you understand what happened.

Technology opens doors that were once closed for amateurs.  It allows the average person with a little skill the opportunity to accomplish once basic professional tasks with ease.   Technology has offered more access to information and options to accomplish such tasks with confidence. People are doing it for themselves.

So, what has specifically happened to photography?

We hear all the time that digital has made photography easier.  No, it hasn’t.  All the rules of photography have remained the same.  Actually, there seems to be more rules involved on many levels to create images that excite viewers.

In the past, photography was mysterious.

Photography was a chemical process.  It took longer for the photographer to view the results of his efforts.  Film had to be processed.  In the commercial world, adjustments had to be painfully made to perfection.  Post-shoot corrections were extremely expensive. Everything had to be in the right place. The light had to be perfect. 

Fortunately, professional photographers were able to use Polaroid film to view a commercial set and make adjustments before the expensive film was placed behind the lens.  Today, the two-minute wait for the Polaroid to develop has disappeared. 

Now, the results are instant.  It’s not the digital sensor that changed photography.  It’s the LCD screen on the back.  When I first started using digital in the late ’90s, we didn’t have LCD screens on the back.  We didn’t know if we really got the shot until after the assignment was complete.   All the advantages of digital were found back at the office.

The LCD viewer shortened the learning curve. 

With a shorter learning curve, the new technology allowed all of the other advantages of digital instantly available on set or scene.  Photographers were now able to see what composition,  exposure and lighting adjustments were needed instantly to fulfill their vision.

This advance immediately upped the game for the professional. 

To consider a photograph “professional,” an image now as to be more than in focus, well exposed and reasonably composed.  It has to be exceptional.

Today, advanced hobbyists are creating images that professionals only dreamed of 10 years ago.  Now the game is about bringing something new to the table.  Lighting and post-production (Photoshop skills) are often the foundation. But, a new vision beyond the average is what is required.